MISTY

MISTY
By: Maan “Maggie” Villar, The World According to Maggie Villar
Friday, June 21, 2013

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This is probably the last time that I would write about you and the false hopes that I still bear, I’m not certain if it is the last time and if I would hold on to the past still but I have always been a romantic, a fool, and a dreamer. See, I was watching “Silver Linings Playbook” for the second time this month, it has been raining quite hard in the city that I felt the need to stay at home and draw the blue curtains of my room down, and channel whatever life changing occurrence it was that led me to right here and right now. That scene in the movie (starts at 1:49:49) really struck a chord in me, not only because an antiquated Johnny Mathis song, “Misty”, was playing but because I related the scene so much to what happened in my life. To be more specific, to how we really ended it all. And just as a scene from a movie or real life, an imagined character and setting, a good song and beauty and the imitation of life to art or vice versa inspires me to write, right now I want to write about how we ended because no one really knew, none of my friends heard about the real story, it’s just the same tasteless answers I give them to invoke no further questioning or I divert to another topic that would take the better of their interest.

That scene in Silver Linings would take a spot in my most favorite movie scenes, probably outmaneuvering that one in 27 Dresses when Katherine Heigl dances with her beau under the stars on that yacht while “Like a Star” (Performed by: Corinn Bailey Rae) was playing on the background or that scene in Notting Hill inside the movie theatre right after Hugh Grant finds that Julia Roberts is with another man in the hotel and that old lonely song plays as he watches a movie starring her muse. The understated allusions to love they are and how no matter the differences it has with your own story, you still find parallelisms.

How it happened was a celebration of victory, Tiffany and Pat celebrating a 5.0 they won at a sport-dancing competition they joined and a parlay between Pat’s father and a friend. Everyone was ecstatic, Tiff jumps up to Pat, probably about to give him a kiss and you can feel Tiff’s longing, how she wanted to lock life to that scene just holding Pat and everyone close to them, family and friends around them in a circle all smiles and happy, victorious. And then Pat finds his wife (who cheated on him with a co-worker and gave him the necessary trauma to render time in a mental institution and a restraining order), and everything around him probably dissipated into a blur and he walked up to her and Tiff just looks on with so much sadness in her eyes. Tiff then runs away in her black trench coat and puts on a shoe on the streets, she runs away, just runs away.

I’ll stop the scene on that scene in the streets with Tiffany running away because I believe only in realized dreams but not in romantic happy endings anymore, similar to how the movie ended. Maybe, since this is the last time, it’s about time that I stop explaining myself and time that you understand why Woody Allen compartmentalizes my views on love in the movies he has written and why that scene in Silver Linings is something I can relate to so much. It’s up to you what silver lining we could glean from how we ended.

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Look at me
I’m as helpless as a kitten up a tree
And I feel like I’m clinging to a cloud
I can’t understand
I get misty, just holding your handWalk my way
And a thousand violins begin to play
Or it might be the sound of your hello
That music I hear
I get misty the moment you’re nearYou can say that you’re leading me on
But it’s just what I want you to do
Don’t you notice how hoplessly I’m lost
That’s why I’m following you

On my own
Would I wander through this wonderland alone
Never knowing my right foot from my left
My hat from my glove
I’m too misty and too much in love
(repeat after music interlude)

Look at me

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